segunda-feira, 31 de agosto de 2009

Michal Piasecki’s blog

deriving methodology from classics
I’ve been working for the Msc AAC on a paper which looks at the possibilities of devising a research methodology based on D’Arcy Thompson’s Cartesian Transformations Method (”On Growth and Form”, 1918), which would be relevant to the call for science of buildings expressed in Philip Steadman’s “Evolution of Designs” (1979). The above is a quick processing sketch written in order to visualize the first step of the imagined “Transformations Method”. The base drawing is a floor plan of Paris Opera House, which comes from Durand’s comparison of the forms of theaters contemporary to him, done in 1801. Steadman refers to Durand’s work when he discusses the notion of classificatory analogy in his book.

Alan Mathison Turing

British mathematician, logician, cryptanalyst and computer
Turing worked from 1952 until his death in 1954 on mathematical biology, specifically morphogenesis. He published one paper on the subject called "The Chemical Basis of Morphogenesis" in 1952, putting forth the Turing hypothesis of pattern formation.[30] His central interest in the field was understanding Fibonacci phyllotaxis, the existence of Fibonacci numbers in plant structures. He used reaction–diffusion equations which are now central to the field of pattern formation. Later papers went unpublished until 1992 when Collected Works of A.M. Turing was published.
http://en.wikipedia.org/wiki/Alan_Turing

quinta-feira, 20 de agosto de 2009

Owen Jones (1856) The Grammar of Ornament

English designer, architect, and writer, best known for his standard work treating both Eastern and Western design motifs, The Grammar of Ornament (1856), which presented a systematic pictorial collection emphasizing both the use of colour and the application of logical principles to the design of everyday objects.

quarta-feira, 19 de agosto de 2009

Paulus Gerdes (1999) Geometry from Africa: Mathematical and Educational Explorations

This book draws on geometric ideas from cultural activities from Subsaharan Africa, and demonstrates how they may be explored to develop mathematical reasoning from school level through to university standard. Paulus Gerdes provides a thoroughly illustrated and researched exploration of mathematical ideas, motifs and patterns. Many important mathematical points are brought to the fore, not via the formal 'theorem-proof' method, but in a more schematic and diagrammatic manner. African artifacts, oral traditions, sand drawing and other forms of artwork with a geometric basis, all provide mathematical ideas for discussion in this unique book. Mathematicians and teachers of mathematics at all levels will be fascinated, as will anybody with an interest in African cultures.http://www.math.buffalo.edu/mad/special/gerdes_paul.html

Paulus Gerdes, New designs from Africa

Inspiration from Angolan traditional designs

He has been analysing mathematical properties of traditional ideo and pictograms of the Tchokwe population in Angola. These drawings were traditionally done in sand, and were used to illustrate stories the men told at evening gatherings, around the communal fires in the village or at hunting camps. Young boys would learn the easier stories and accompanying designs, but only the storytellers, who were highly esteemed for their knowledge, and formed an elite, knew many more.
Paulus Gerdes (2007) Lunda Geometry: Mirror Curves, Designs, Knots, Polyominoes, Patterns, Symmetries

Peter Engel Origami Patterns


The Chinese invented the paper folding art of origami over 1000 years ago, and they endowed it with the aesthetic principies that are at the heart of their culture. As Peter Engel, an American master of the art, says, "the success of a completed figure depends on the creator's eye for form—is it a mere likeness of the original, or does it delve deeper into the form's essential character?" [Engel, 1988]

Engel points out that origami has been taken up in this country by mathematicians rather than artists. He says: "To the mathematician, the beauty oforigami is its simple geometry. Latent in every pristine piece of paper are undis-closed geometric patterns, combinations of angles, and ratios that per-mit the paper to assume interesting and symmetrical shapes."An origami figure always begins with a single square piece of paper. Only folding, with no cutting or pasting, is permitted.

in: Jay Kappraff (1990) Connections. The geometric bridge between art and science.

Origami by Peter Engel

object width="425" height="344">

segunda-feira, 17 de agosto de 2009

Nate Andrysco

Urban Grammar
A continuation of the AMUSE project which deals with visualizing large urban
environments. In Urban Grammar, a 2D map of a city is parsed to detect roads, land
boundaries, and building outlines. The parsing creates a unique grammar which
describes the city. Once the information is obtained, we can then derive new cities in the
style of the original using the grammar. This process includes how to obtain the
boundary data, how parsing is conducted, and how derivations are done. It will also be
shown how cities may be edited so that a city planner may use this tool for his work.
Issues involved in editing are grammar simplification, region similarity estimation, and ngon
to m-gon mapping. Grammar simplification greatly helps reduce the number of
computations needed during derivation. Similarity estimation is an essential tool needed
in derivations and most phases of editing. N-gon mapping is used to project texture
coordinates from a region in the original city to a new, possibly deformed, region in the
edited city.

sábado, 1 de agosto de 2009

Eudardo Westphal(2007)

A Linguagem da Arquitectura Hospitalar de João Figueiras Lima
Orientador: Benamy Turkienicz
This work aims at describing the elements that characterize the architectural language of João Filgueiras Lima, Lelé, developed for the Sarah Network of Hospitals for the Locomotor System, looking for the identification of attributes that assign identity to his projects and allow creativity despite of using an industrialized construction system. The analysis reached spatial articulation, using Space Syntax; the composition of shapes and their articulation, using Shape Grammars’ concepts; and the articulation of building components, using Color Grammars concepts. The identified attributes allowed the description of a genealogy of design procedures applicable to the synthesis of the language of Lelé. Such attributes are integrated into ways for coding a Genetic Algorithm that maps new solutions under the described language and the constraints of the hospital program and the industrialization process. The understanding of such genealogy finds applications both in professional practice and architectural design teaching. The conclusions of this work suggest the further development of the analysis, looking for a more complex algorithm able to search for fitter solutions
http://www.lume.ufrgs.br/handle/10183/11433

sábado, 25 de julho de 2009

Creation of 3D Cities

Pascal Mueller is co-founder and CEO of Pascal Mueller is co-founder and CEO of Procedural Inc., an ETH spin-out company specialized in software for the efficient creation of 3D buildings and cities.

CBA (MIT) activities. Rapid-prototyping tools

Related CBA activities across a wide range of length scales are investigating the foundations of fabrication in locally encoding global structures. Macroscopically, a "shape grammar" for wood frame construction was developed to represent the design of a building in coded joints:which can be assembled from press-fit panels produced with two-dimensional rapid-prototyping tools. This approach promises to reduce the cost of construction in time, labor, and materials, and even more importantly to enable rapid customization of low-cost construction that is responsive to local needs [Sass, 2005; Sass and Botha, 2006].

Shape Grammars

At one point, mostly due to the Master's work of Miranda, I became interested in shape grammars. I wrote a little program called xform3d that allows a user to dynamically manipulate 3D shape grammars; kind of a less elegant, hard to use version of Miranda's program, Shaper2D. Below are a few of the nice images to come out of early versions of xform3d.

Type I : simple parametric grid shape grammar rules

http://cat2.mit.edu/arch5-local/4207archive/4207s99/haldane/WWW/final/type1/

domingo, 19 de julho de 2009

Shape Grammar

The Shape Grammar created for this project consists of both diagrammatic and parametric rules.

1. The diagrammatic set of Shape rules (S) was based on:
. a generic 2D angle or corner with a fixed aspect ratio.

. a bounding box with four central openings to form an initial shape and to enclose various subshapes. http://flightplay.net/design/shape_grammar.html#animation

sábado, 4 de julho de 2009

Workshop: O Pensamento da mão

Introdução à Arquitectura

Este workshop, destinado a um público generalizado (maiores de 15 anos) com algum interesse pela área da arquitectura, pretende introduzir nos participantes alguns dos conceitos e elementos da composição arquitectónica.

Pretende-se desenvolver, além de um crescente gosto pela área da arquitectura, noções básicas de composição, proporção e harmonia.
Os participantes serão levados a explorar criativamente alguns dos conceitos arquitectónicos aqui apreendidos e, através de experimentações, apresentar uma pequena proposta em forma de modelo tridimensional (maqueta).
Esta actividade, que será orientada pelo arquitecto Rui Pereira, é organizada pela Associação Elucid’Arte e conta com os apoios da Câmara Municipal de Setúbal e do RP Atelier. A inscrição é 10€ e estas deverão ser efectuadas através do e-mail elucidarte@gmail.com ou dos telefones 96 722 82 97 e 96 00 02 422. Mais informações em www.elucidarte.blogspot.com.

Data: 2 e 3 de Julho (5.ª e 6.ª feira de manhã)
Orientador: Rui Pereira - Arquitecto e coordenador de um atelier multidisciplinar
Destinatário: Maiores de 15 anos
Local: Casa Bocage, Rua Edmond Bartissol, 12, Setúbal
Preço: 10 euros

http://elucidarte.blogspot.com/

quarta-feira, 17 de junho de 2009

George Stiny Workshop and Lecture

How to use shapes and rules to design
18 de Junho, 9h30-13h e 14h30-18h
Sala 9 do Edifício 5, FA-UTL.
George Stiny irá dar uma workshop sobre como usar formas e regras em projecto
O foco da workshop está, assim, no uso de gramáticas de forma em projecto, abordando:

(1) Formas e regras
(2) Formas e esquemas (descrições e transformações)
(3) Que regras e esquemas devo usar (um grelha de tipos de regras)
(4) Rótulos, pesos e descrições
(5) Questões abertas.


What calculating would be like if Turing had been an artist and not a logician, and why this is important in design
19 de Junho, 11h, FA-UTL.
“O Cubo” da FA.Palestra por George Stiny, Professor, Massachusetts Institute of Technology, EUA.
http://www.fa.utl.pt/index.php?option=com_content&task=view&id=603&Itemid=2

terça-feira, 16 de junho de 2009

segunda-feira, 15 de junho de 2009

The Breathing Earth simulation


This real-time simulation displays the CO2 emissions of every country in the world, as well as their birth and death rates.
http://www.breathingearth.net/

domingo, 14 de junho de 2009

Urban RE:Vision


Something incredible is about to happen in downtown Dallas.Soon, a single block will be transformed into a place that creates economies,supports community, facilitates relationships and generates resources.
The winners of Re:Vision Dallas have created plans thatchallenged us, engaged us, and inspired us.
http://www.urbanrevision.com/ReVision-DALLAS-Results
http://dn.sapo.pt/inicio/artes/interior.aspx?content_id=1262193&seccao=Arquitectura
http://www.moov.tk/
http://www.sputnik-webzine.blogspot.com/

sexta-feira, 12 de junho de 2009

Algorithmic for visual design: using the processing language


How has design changed through the use of computers? Is it still valid to assume that a designer is in control of a design concept?Is computer programming necessary in design today?